„Hiszen már nincs is idő”

This paper deals with the question of Miklós Mészöly’s and Iván Mándy’s attitude to objects objectivity. My contention is that two authors represent approaches: while Mészöly creates a poetics sight, Mándy sound. Hence their fundamentally different ways writing: desanthropomorphisation, his depersonalized narrative, timelessness descriptions, anthropomorphisation, narrative approaching live speech, techniques evoking past. Behind objectivity impersonality lies an epistemological pessimism, influenced by French existentialism, absurdist literature nouveau roman. raises related questions: on one hand, what relationship works material world they evoke; other, kind literary trend this approach fits into.